Leave your feedback Share Copy URL https://bcad.org/video/?vid=EcVBEld5JP2 Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Betye Saar: Symbols in Call and Response [LWiar8V5gku] Health Updated on August 06, 2026 EDT — Published on August 06, 2026 EDT Explore ‘Betye Saar: Call and Response’ with Associate Curator Leigh Arnold, who provides a key to Saar’s symbolic lexicon and shares the many layers within the work of Betye Saar. One of the most significant assemblage artists working today, Betye Saar (born 1926, Los Angeles) addresses spirituality, gender, and race in her art. Part of the strong Southern California tradition of artists using found objects (including Edward Kienholz, John Outterbridge, and Noah Purifoy), she combines items typically discovered at flea markets and secondhand stores into conceptually and physically elaborate creations. Saar’s creative process, however, does more than reflect on the outside world; she ruminates on and plays with objects and ideas, making sketches inspired by specific items in her possession. These sketches form an essential part of what she considers the mysterious transformation of object into art. LEARN MORE: JcehhD0VP8L nsXsE7GLNkX F4c735pPpPV OuTi5wFZdYW 6Fi8sjmSeU5 aAAmvEQzYZ8
Explore ‘Betye Saar: Call and Response’ with Associate Curator Leigh Arnold, who provides a key to Saar’s symbolic lexicon and shares the many layers within the work of Betye Saar. One of the most significant assemblage artists working today, Betye Saar (born 1926, Los Angeles) addresses spirituality, gender, and race in her art. Part of the strong Southern California tradition of artists using found objects (including Edward Kienholz, John Outterbridge, and Noah Purifoy), she combines items typically discovered at flea markets and secondhand stores into conceptually and physically elaborate creations. Saar’s creative process, however, does more than reflect on the outside world; she ruminates on and plays with objects and ideas, making sketches inspired by specific items in her possession. These sketches form an essential part of what she considers the mysterious transformation of object into art. LEARN MORE: JcehhD0VP8L nsXsE7GLNkX F4c735pPpPV OuTi5wFZdYW 6Fi8sjmSeU5 aAAmvEQzYZ8